Klaes on Film

Longform essays and film commentary by Larry Klaes, curated for Centauri Dreams readers.

Featured Article

Long-time Centauri Dreams readers will know that Larry Klaes has been prominent on the site since its earliest days. And for much of that stretch, he’s been writing film reviews, chronicling the story of science fiction movies prominent and sometimes obscure, at a level of detail that turns his articles into serious research tools. I’m pleased to bring Larry’s latest to your attention with this first post under the new ‘Klaes on Film’ tab. The plan is to begin collecting all of his film posts in this section, with the most recent always at the top. I hope you enjoy the new section and, in answer to many email questions, I’ll add that collecting all of Larry’s reviews in a single volume, sold as a separate ebook or paperback, is a project that remains under active consideration.

Archived Reviews

Imagine if the iconic ground (and space) breaking science fiction film 2001: A Space Odyssey, first released into theaters in early 1968, had actually been put together over one decade earlier – in the mid-1950s, to be more precise.

Now contemplate that film’s famous and brilliant producer, Stanley Kubrick (1928-1999), being continually badgered and overruled by Hollywood studio executives who – while being neither terribly aware of nor interested…

There once was a highly evolved being who descended to Earth from the heavens, bringing a message of peace and salvation to the unwashed masses of humanity sprawled across their planet. These people reacted to this visitor from beyond their world with a mixture of hope, fear, trepidation, suspicion, and eventually outright hostility.

The visitor made an effort to blend in with the natives in order to better understand them and why they thought and acted as they did…

When the science fiction film 2001: A Space Odyssey premiered in theaters in early April of 1968, it created a stir with cinema-goers and critics which has seldom been seen before or since.

An experimental art film with an unheard-of budget for its day – 10.5 million dollars, or over 74 million in 2020 dollars, adjusting for inflation – 2001 (for short) confounded expectations for its genre and the modern cinema in general…

The year 1979 was a dynamic one. It was the chronological end of the 1970s, essentially the “aftermath” decade of the previous one, the 1960s. Those earlier years saw multiple revolutions on multiple fronts across the globe and beyond that radically changed our society.

One of the bigger “aftermath” effects was with space, both its real and its fictional elements. In the case of reality, although the official Space Age had begun in October of 1957 with the launch…

“On this first day of a new century, we humbly beg forgiveness and dedicate these last forests of our once beautiful nation to the hope that they will one day return and grace our foul Earth. Until that day may God bless these gardens and the brave men who care for them.”

Imagine that the environmental situation on Earth has gone bad – really bad. So bad, in fact, that the surviving remnants of our planet’s flora and some fauna have to be sent far away into deep space…

Ah, aliens. For some humans, they are the conquering interstellar warriors of some tyrannical Galactic Empire. To others, they are angelic saviors just waiting to uplift humanity into the wider Cosmos. To still more, they are aloof godlike beings who are completely indifferent to anyone unlike themselves. If an alien happens to be a member of the Star Trek franchise, the chances are very good they will look, talk, and act very much like a certain primate species of the planet Sol 3 (a.k.a. Earth), with perhaps some variations to the ears…

Can one properly represent humanity to the rest of the Milky Way galaxy with just two identical space vessels no bigger than a small school bus and two identical copies of a golden metallic long-playing (LP) record attached to the hulls of said vehicles which contain in their grooves sample images, sounds, languages, and music of their makers and their world?

Our species can only hope so at this point, since the objects in question left Earth over four decades ago and are now tens of billions…

Science fiction has certainly played an important role in inspiring and influencing humanity’s future directions. The father of American rocketry, Robert H. Goddard, was moved to imagine sending a vessel to the planet Mars as a young man in 1899 after reading The War of the Worlds by H. G. Wells published just a few years earlier. From that spark developed a life-long dedicated pursuit of space exploration by Goddard, whose work in turn influenced others which eventually led to real rockets carrying…

The cinema has had a huge influence on modern society since the day it was introduced to the world in the late Nineteenth Century. I am referring not just to the masses being regularly entertained by “the movies” for generations on a global scale or Hollywood moguls and certain actors making huge fortunes off the film industry. I am talking about how film has shaped and reshaped our thinking on all sorts of subjects, both individually and culturally, essentially turning fiction into some form of reality…

When I first heard about the existence of the film Interstellar, I was initially hopeful yet cautious. Most science fiction, especially these days, is some variation on Star Wars, which is often about as scientific and science fictional as the Harry Potter series. Yet Christopher Nolan and his team insisted they were striving hard to stick to REAL science with their production: They even had the famous Caltech astrophysicist Kip Thorne on their side, the very man who convinced none other than Carl Sagan…

Just how we would react to the reception of a signal from an extraterrestrial civilization is an increasingly controversial question, and one filled with import as we take the SETI search in proposed new directions. The ongoing Royal Society meeting in Chicheley (UK) probes the issue, with panel discussions on whether or not we should be sending our own broadcasts to the stars, and presentations exploring the import of extraterrestrial life on the future of humanity. It seems a good time, then, for Larry Klaes to have a look at the question in this, the first of a two-part essay that analyzes our attitudes not so much about signals from the stars as their senders…

When the United States was preparing to send the first humans to Earth’s largest natural satellite in the 1960s with Project Apollo, there were numerous scientists of the day who protested this effort. They felt that knowledge and even surface material could be gathered from the Moon far more cheaply and efficiently with automated probes than with astronauts.

On a technical and pragmatic level, those scientists were essentially correct. But as with many things in human society, the primary reasons for the existence of Apollo were about politics and power…

The Monday after the Thanksgiving holiday in the States is always gloomy as people readjust to work after the long weekend. So let’s do something light-hearted for today with a look at what evolution can produce in the hands of Japanese film directors. Larry Klaes considers Mothra, a tale of a small creature grown large, and the demands its unexpected size would make if such things existed in the real world. Larry has been to a ‘science cabaret’ inspired by the Café Scientifique movement, which brings science to the public in informal settings…