I hardly ever watch a film version of a book I love because my mental images from the book get mangled by the film maker’s vision. There’s also the problem of changes to the plot, since film and novels are entirely different kinds of media. The outliers, though, are interesting (and I sure did love Bladerunner). And when I heard that AppleTV would do Asimov’s Foundation books, I resolved to watch because I was satisfied there was no way on Earth my book images would conflict with what a filmmaker might do. How could anyone possibly produce a film version of these books? Judging from the comments I see online, a lot of people realize how remote the AppleTV series is from the source. But here we get into something interesting about the nature of science fiction, and it’s something I have been thinking about since reading Keith Cooper’s book Amazing Worlds of Science Fiction and Science Fact. For the streaming variant of Foundation is visually gorgeous, and it pulls a lot of taut issues...

In all too many ways, I wasn’t really surprised to learn that Claudio Maccone had passed away. I had heard the physicist and mathematician had been in ill health, and because he was a poor correspondent in even the best of times, I was left to more or less assume the worst. His death, though, seems to have been the result of an accident (I'm reminded of the fall that took Freeman Dyson’s life). Claudio and I spent many hours together, mostly at various conferences, where we would have lengthy meals discussing his recent work. Image: I took this photo of Claudio in Austin, TX in 2009. More on that gathering below. With degrees in both physics and mathematics from the University of Turin, Claudio received his PhD at King’s College London in 1980. His work on spacecraft design began in 1985, when he joined the Space Systems Group of Alenia Spazio, now Thales Alenia Space Italia, which is where he began to develop ideas ranging from scientific uses for the lunar farside, SETI detections...

This morning’s post grows out of listening to John Coltrane’s album Sun Ship earlier in the week. If you’re new to jazz, Sun Ship is not where you want to begin, as Coltrane was already veering in a deeply avant garde direction when he recorded it in 1965. But over the years it has held a fascination for me. Critic Edward Mendelowitz called it "a riveting glimpse of a band traveling at warp speed, alternating shards of chaos and beauty, the white heat of virtuoso musicians in the final moments of an almost preternatural communion...” McCoy Tyner’s piano is reason enough to listen. As music often does for me, Sun Ship inspired a dream that mixed the music of the Coltrane classic quartet (Tyner, Jimmy Garrison and Elvin Jones) with an ongoing story. The Parker Solar Probe is, after all, a real ‘sun ship,’ one that on December 24 of last year made its closest approach to the Sun. Moving inside our star’s corona is a first – the craft closed to within 6.1 million kilometers of the solar...